In a new and finally complete edition, all the texts composed by Antonin Artaud during the trip to Mexico in 1936. An edition enriched by discoveries of unpublished writings that offers a unified vision of what, to all intents and purposes, constitutes the first trip in search of theater of Western culture. Artaud was also the first to inaugurate an anthropological research path for theater purposes, which is radicalized in the idea of coming into contact with original cultures. These "messages" are the result of a long work of comparison between the various editions in French or Spanish, which has restored a different organicity to the Artaudian themes. The reconstruction work of his time in Mexico City makes use of sources unknown in Europe. Antonin Artaud, noting the failure of the "rationalist culture of Europe", leaves the continent and travels to Mexico to "seek the foundations of a magical culture", in one of the last places where myths remained active. In his Revolutionary Messages, written during this Mexican period, Artaud praises a "unitary" culture and idea of man, as opposed to the European one that has reached "a senseless pulverization of forms", asking the Mexican Revolution to break with Marxism - also of a "rationalist" matrix - to become a revolution "against progress", capable of reconnecting itself to the primitive sources of the "indigenous soul", before Cortés and the invaders of the Old World. "It is a question of finding and resurrecting the vestiges of the ancient solar cult, for a new concept of the Revolution and of Man".