To get into the spirit of Indian art, the European reader, whose aesthetic training is primarily rooted in the Greco-Roman tradition, must first learn a language. This language does not consist of words, but of forms, rules, aesthetic choices and mysterious connections with nature and the cosmos. Indian art has focused on the human form, transfiguring it so that it can express the greatness and depth of the realized beings: gods, the great spiritual masters, Buddha and Jina. The uniqueness of Indian art is gradually discovered with its works and also through a reflection on the divine, the sacred, the spiritual, the eternal and the ephemeral. After having researched and meditated for a long time, the author suggests, in this volume, ways to access to the spirituality and aesthetics of Indian art.